Blawg IT-Internet Patent, Trademark and Copyright Issues with Attorney Brett Trout

Iowa's First Law Blog - Since 2003

Friday, December 28, 2007

Piracy - Now Approved by the World Trade Organization


The Hollywood Reporter reports that the World Trade Organization has authorized the Caribbean nation of Antigua and Barbuda to infringe United States copyrights to the tune of $21 million. The ruling is in response to the United States blocking online gambling entities from access in the United States market, while allowing online betting on the ponies.

Ranking up there with Egypt's ridiculous proposal to copyright the pyramids, the World Trade Organization's decision critically undermines its own authority. It would be tough to conceive of a ruling more unfair or more directly at odds with the purpose of international copyright laws than the World Trade Organization decision.

That being said, if you happen to be in Antigua and Barbuda any time soon, be sure to pick me up a DVD of Sweeney Todd.

Brett Trout

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Wednesday, December 26, 2007

Did Your Lawyer Sell You an Old Shoe?


Old Shoes
Did you just pay a lawyer to draft you a contract? Where did it come from? Historically, lawyers have always used old templates, updated and customized to address your specific transaction. Because clients never had access to the templates, you never knew how much customization your lawyer actually did. In large part, that is still true today.

Google Your Shoes
In the field of information technology (IT) related contracts (software licensing, terms of use, privacy policies) however, clients now have some ability to track down the provenance of their expensive compact. An interesting exercise you might try with your own IT or software contracts is to look over the contract for a unique string of words. Put those words in quotes and search them on Google. In who else's contracts do these words appear?

Whose Shoes are These?
Just because your contract language appears somewhere else does not necessarily mean there is a problem. Someone could have stolen the contracts from your website or from another of your attorney's clients.

Another explanation might be that their attorney may be using the same form book as your attorney. Take a closer look. Are the contracts nearly identical or are only a few phrases the same? Depending upon the type of contracts at issue, the language may be very similar. Sometimes there are only so many ways to skin a cat.

Knock-off Nike's
While similar language, and even very similar contracts, might be justified in many circumstances, you should not be paying premium rates for online forms you could have cut and pasted for much less (I know my kid only charges $120/hr for cutting and pasting).

Granted there is some truth to the joke about the plumber charging $1 to hit the pipe and $99 to know where to hit it. Sometimes even small changes can take an experienced cyberlaw attorney considerable time to draft, especially if the differences between your contract and the one you found online relate to complex or unique aspects of your business.

Even in this case, there should at least be some marks where the plumber hit it.

Old or New Shoes
Sometimes simple language at a reasonable price may be sufficient to do the job.

Other times you need the magic only an expert scrivener can provide. What you do not need is to be paying Prada prices for an ill-fitting pair of used sneakers.

If you have questions about your contract that shows up on your competitor's feet, talk to your lawyer about it. More than likely, he or she will be able to explain the unique or complex aspects of your situation that merited the time behind the invoice you received.

If they cannot, or if it obvious that your contract was merely lifted in its entirety directly off of the Internet, it might be time to consider putting your shoes to use.

Brett Trout

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Tuesday, December 18, 2007

Marketing Firms Take Note

When Marketers Gets Lazy
A friend of mine, who just happens to be my favorite author, John Shirley, tipped me onto something rather interesting. It appears that the marketing arm of a web company decided creating something on their own was just a waste of time. Why not just steal a design from someone else? Sure, there are copyright, trademark and unfair competition issues, but they will never find us. Right?

Wrong
Unfortunately for the web design thief, the owner of the stolen design was pretty savvy. Not only did he locate the infringing design, but he devised a little poetic justice for the perpetrator. You see, the thief did not even take the time to host the stolen images on its own server. Instead, it merely linked to copies of the images on the owner's server.

Simple Solution
Instead of calling in the lawyers, sending a DMCA take-down notice, suing the pants of the designer and waiting months for a resolution, the website owner took a little more direct approach. He merely changed the location of the image and substituted one with a few miner modifications. Now, instead of

This image:














They get this image:



Butt of the Joke
Be forewarned. Like patent attorneys, artists and web designers have a rather warped sense of humor. When assessing the potential downside of marketing maneuver that infringes the intellectual property of others, time, money and quality time with your Cyber Law attorney should not be the only metrics in the equation. Don't dismiss the irreparable public relations nightmare that can occur when you don't own your own website.

Brett Trout

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Tuesday, December 11, 2007

Making a Copy of Your Own CD is a Crime



At least according to the head of Litigation for Sony BMG, Jennifer Pariser. Ms. Pariser stated that making a copy of your CD for your own personal use constitutes stealing. And the RIAA appears to agree. A post by arstechnica, notes that just last week the RIAA filed a brief in Atlantic v. Howell, stating unequivocally that MP3 copies defendant made of his own CDs were "unauthorized."

See You Have to Buy the CD, and the MP3, and the ...
Apparently aware that the demise of DRM is a foregone conclusion, the RIAA appears to be taking the stand that the only allowable electronic version of a song is one you purchased as an electronic version and never moved from its original download file. At some point it would seem the RIAA'a arguments would start failing to pass the laugh test and start garnering them sanctions under the Copyright Act, or at least warrant attorney fees for the defendant.

And Anything Else We Think Of
I guess the first step would be for these defendants to stop representing themselves. Not only do they lose out on the availability of attorney fees under the Copyright Act, but they stand a very good chance of setting horrible precedent. Each bad case inches us ever closer to the RIAA's apparent vision of a everyone paying separately for each song for each player they want to use.

Brett Trout

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Monday, November 26, 2007

Steal This Photograph


Free Advice
People at cocktail parties (How old am I that I wind up at actual cocktail parties?) often ask me what they can do about people stealing photographs from their blog or website. I start by asking them what they have done to protect their photographs. The only constant seems to be that they all crash cocktail parties, cornering unsuspecting intellectual property attorneys for free advice (its the virgin strawberry Daiquiris that makes us so easy to spot).

Luckily, waxing philosophic on the origins of copyright works like holy water on Nosferatu, and usually even before my ice gets all melty. Since you kind readers have been thoughtful enough to allow me to enjoy my beverages in peace, I have decided to share my thoughts on this subject, sans the legal history lesson. Here are the steps I would recommend to protect that precious shot of the snowboarding squirrel:

Make Sure You Own the Photograph

Many people mistakenly believe they own photographs they do not. If you hired someone to take the photograph, you likely only have a limited license to use the photograph for a specific purpose. If you did not take the photograph, you probably need to talk to an intellectual property attorney to determine if you own it and how to obtain and assignment to avoid problems like this in the future. If there are people in the picture, or artwork, or trademarks, you probably need to investigate the law of photography a little to determine if you have any other issues besides ownership.

Offer to License
If people are stealing your photographs, they might be willing to pay for them. Even if they are not, once you associate a dollar amount with what people are stealing, they are less likely to steal. They know that the "innocent infringer" defense is probably not going to fly and even their misguided thoughts of "fair use" fall by the wayside when they see a price tag associated with their actions.

Register Your Copyright
"Copyrighting" your photographs is kind of a misnomer. As soon as you take your photograph, copyright attaches automatically. So then why register your copyright? One main reason is that you cannot sue for copyright infringement until you register the copyright with the United States Copyright Office. Another advantage is that if you register early enough, you can get statutory damages against an infringer. This makes it easier to prove damages in cases where there is no set value for the copyrighted material. Compared to trademark and patent registration, copyright registration is relatively inexpensive. The Copyright Office provides instructions as to how to register your copyright. If you anticipate ever having to use the registration in court however, I would suggest paying a copyright attorney a few hundred dollars to do it right.

Find Infringers
Watermarking your photographs, giving them unique names and visiting similar websites are all ways to find infringers. Often vigilant web surfers will let you know about infringements they run across in their online travels if there is something in the photograph to identify it as yours. Searching Google for unauthorized copies of your photographs (or your text) is a good way to locate infringers. Be sure that when you find an infringement, you document it. Often, by the time a client comes to me, the infringing photograph is gone.

Send a Cease and Desist Letter

Putting the infringer on notice is critical. Your letter can demand cessation of the infringement and/or money for the unauthorized use. Be careful when sending a cease and desist letter, however. A poorly drafted letter might just be your invitation to a lawsuit in the infringer's backyard.

Sue Somebody
Just like Fonzie (okay, I'm really old), you have to have been in at least one fight before everyone takes you seriously. I would not necessarily recommend suing the first person to steal a photograph. However, if people are stealing your photographs on a regular basis, a lawsuit may be the way to go. With a lot of infringers, you have the luxury of selecting the most egregious perpetrator, with the highest likelihood of sending a message to the other infringers that you are indeed serious about protecting your intellectual property. At the very least, it is like hanging a sign on your front door that says "I have a $100 stereo and a $1,000 alarm system. My neighbor, however, has a $1,000 stereo and a $100 alarm system." You won't be able to stop infringers, but at least you might be able to encourage them to steal from someone who does not have your knowledge of copyrights in photographs.


Brett Trout

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Wednesday, November 21, 2007

The Law of Photography


People are Strange
People have very strange ideas about what constitutes fair use of other people's photographs. What they do not realize is, that by the time they get sued, simply claiming ignorance is no defense.

Recent Cases
Photopreneur.com has just posted an interesting run down of some recent cases involving unauthorized use of third party photography. The cases are not just limited to copyright infringement. Several involve issues you may never have considered when snapping that depantsing of Uncle Lem.

The Law of Photography

Of course, those of you who keep an extra intellectual property attorney in the pantry for those times you wax philosophic on the epistemology of intangible property know these things, but for those of you who don't, here are some of the other, less well known, but no less harrowing, issues to consider when taking or using that next photograph.

Right of Privacy
Right of Publicity
First Amendment
Interference with Official Acts
National Security
Buildings not ordinarily visible to the public
Breach of Contract
Rules of Court
Laws relating to specific subject matter
False Light
Defamation
Common carrier special duty of care
Trespassing
Concealed cameras
For Third Party sexual gratification

If You Get Stopped
If you take a lot of photographs, Attorney Bert Krages II even provides a downloaded "Photographer's Right" pamphlet which you can carry with you if you are ever confronted. I, myself, tend to rely on my winning personality and wry, wide-eyed, sociopathic grin.

Brett Trout

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Monday, October 08, 2007

RIAA "The Rhythm is Gonna Get You"


Welcome to the jungle Ms. Jammie Thomas, single mother of two. November rain came a month early when just last Thursday a Minnesota jury found the Native American liable for illegal file sharing. I save the best for last. The verdict was for $222,000, which likely left Ms. Thomas cryin'. For the RIAA, the verdict was nothing but hella good, leaving the RIAA now and forever a very valuable precedent in its possession.

After being contacted by the RIAA for illegal file sharing, Ms. Thomas' indignation was coming out of the heart. She felt the RIAA was building a mystery based upon what she felt must have been somebody hacking or spoofing her account to make it look she was the one committing the copyright infringement. Her don't stop believing attitude continued to take her one step closer to the verdict she faithfully felt in her one honest heart the jury had to hand down.

Deciding let's wait awhile, Ms. Sullivan and her attorney refused to settle with the RIAA, opting instead for the here we are, come and get us approach. Unfortunately, the iris popping verdict leaves nothing but bills, bills, bills in her future.

While Ms. Sullivan is indeed mulling over an appeal, she does not want to throw the baby out with the bathwater. To appeal she still has to come up with the money in the interim. If she wants to continue the fight, she will likely have to come up with even more cash, possibly asking friends, family, altruistic lawyers and different people to "pour some sugar on me" in the form of donations.

In an effort to prevent this precedent from increasing the weight of the RIAA'a already heavy hand, I say file the appeal and run baby run. But then again, I am not the one at risk of turning into a basket case tousling with the RIAA for the next year or more. (I'm actually surprisingly bold from the sidelines).

Oh yeah, the 24 tracks Ms. Sullivan was accused of making available online? Read the above post a little more closely to find them all. Cheaters can check out the more mundane list here.

Brett Trout

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Tuesday, October 02, 2007

Protecting Your Blog's Intellectual Property


Intellectual Property
Wow. Intellectual Property. It's quite a mouthful. Sure, it's something you hear international playboy/patent attorneys throw around all of the time, but what does it actually mean? Intellectual property refers to laws that allow you claim ownership over certain intangible creations, like inventions, books, movies and trademarks. Next time you are in Monte Carlo playing Baccarat at the big boy table, try slipping it into the conversation. The knowing winks from around the table will indicate you have used it correctly.

IP and Blogs
Okay. You know what it means, but how does intellectual property relate to blogs. Intellectual property is that part of the blog you own. Most bloggers have a copyright in their content and a trademark on their name and do not even know it. Some bloggers even have valuable intellectual property in their domain name, patentable process and/or the trade secrets embodied in email lists and what goes on behind the scenes. Unfortunately, failure to properly protect this intellectual property can cause it to move into the public domain and be lost forever.


Domain Names
While patents are expensive and trade secrets merely involve keeping the information confidential, nearly every blog has the potential for domain name, copyright and trademark protection. Domain names are given on a first come first serve basis. If you have a http://blawgit.blogspot.com blog address through blogger.com or similar service, you may wish to grab the http://www.bretttrout.com domain name sooner, rather than later. For a few dollars, you can grab your domain name, which a cybersquatter may hold hostage for thousands of dollars a year from now.

Trademarks
If your blog or podcast has a unique name, you may want to obtain a federal trademark registration on it. As soon as you use the trademark in commerce (use it to identify your posts) you have “common law” rights in the trademark. While common law rights are important, a federal trademark registration provides for triple damages and recovery of your attorney fees if someone willfully infringes your trademark. The great thing about these increased penalties is that defendants run scared, rather than fight; something that turns out to be very valuable when you are paying your intellectual property attorney $500/hr to defend your rights. You can check out the Trademark Office for free online at www.uspto.gov to see if anyone has beaten you to your registration. While you can register your own federal trademark for a little over $300, paying $1200 for a trademark attorney to do it right will pay large dividends if you ever have to sue someone for infringement.

Copyrights
Like trademark protection, you have copyright protection as soon as you post a blog. Strangely, the same protection does not automatically apply to podcasts. You have to make sure you record a copy of the podcast to have copyright automatically attach. In either case, you need to register the copyright if you ever want to sue anyone for infringing your copyright. Since the Copyright Office does not compare your registration against previous registrations like the Patent and Trademark Office, Copyright registration is much cheaper. Registering your copyright yourself runs about $45, while enlisting the help of a qualified Copyright attorney runs about $200.

Knowledge is the Key
Whether your blog or podcast is associated with copyrightable material, valuable trademarks, trade secrets, domain names or even patentable subject matter you should at least know what you own. It is important to meet with an intellectual property attorney experienced in working with bloggers to tell you what you have and how to protect it. Often, an initial meeting with an intellectual property attorney is free and you do not incur any charges until you actually pursue formal protection. Even if you decide not to go any further, it is a good idea at least to find out what exactly what you own and your options for protecting your intellectual property.


Brett Trout


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Thursday, September 27, 2007

Keeping Your Blog Out of Court


This will be the topic of my speech at BlogWorld Expo in Vegas November 8. If you plan on attending, come hear me speak and/or look me up. The first five readers who do, will get a signed copy of my new CyberLaw book.

While we are on the topic of keeping your blog out of court, Rush Nigut and Kevin O'Keefe both wrote excellent posts on a Texas mother suing Verizon for using Flickr ads of her minor daughter in an advertising campaign. While the photographer gave consent to use the photo, the subject did not. Copyright and creative commons guru Lawrence Lessig notes that creative commons licenses are designed to deal with copyright and do not purport to address privacy issues. Lessig notes that without a "model release" issues of publicity and privacy remain a problem.

As an intellectual property attorney since 1992 and a blogger since 2003, I see basically two types of bloggers. The first type, comprising the majority, are not considering copyright issues, let alone privacy or publicity issues when they post images on their blogs. The second group work off a misguided hodgepodge of copyright urban legends they found on the internet.

In my experience, the second group is even more dangerous than the first. At least when the first group gets caught with its hand in the cookie jar, it repents and tries to make amends. They contact their intellectual property attorney immediately and usually avoid huge damages. The second group, however, is so steadfast in its misguided beliefs that it is often headlong into litigation before it realizes the errors of its ways.

I would be interested in finding out how the second group thinks it can determine the absence of any privacy violations with Flickr photos. Do they actually determine the names and addresses of every individual in each photo and get a signed model release from each one authorizing use of the photo?

If you are a Flickr-using blogger and think the Flickr creative commons license insulates you from liability for privacy violations, or even from copyright violations in the event the poster is not really the owner of the photographs, please jot down my name and address. You may be needing it in the near future.

Also, if you could do me one more favor and ignore the cease and desist letter you get from the copyright owner or subject of the photo. Its just that I make a lot more money trying cases than I do having my clients comport with the copyright and privacy laws in the first place. And my kid wants a new Jet Ski for Christmas.

Brett Trout

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Wednesday, September 26, 2007

What is Fair Use?


While everyone has heard the term "fair use," very few people know what it means. Many have some vague understanding that it allows you to use copyrighted material for free, but have no grasp of the circumstances and limitations surrounding its application. While no blog post is going to turn you into an expert on fair use, here is a quick primer on what you can do to avoid getting sued for what you thought was fair use.

Ignore the Urban Legends
I am not making money on it; it's fair use.
They should be happy with the press,
I'm making them money, it's fair use.
It didn't have a copyright notice on it; it's fair use.

If you are hearing these kinds of statements flying around your office, keep me in mind. You will likely need a copyright attorney in the very near future.    

Don't Believe Everything You Hear
Better yet, you can take a little preventative action now and avoid ever having to go to court in the first place. So, what do you need to know about copyright. The first thing is to never believe anything about copyright law unless you hear it from a copyright lawyer; and even then you might want to check out a second or third opinion until you find a copyright attorney you can trust.

What is Fair Use?
In some situations it is permissible to use limited portions of a
copyrighted work, including quotes, for purposes such as commentary, news reporting, scholarly reports. This is particularly true for current news stories & historical analysis (to promote accuracy). The quoted material, however, must not be unreasonably large and must not destroy the market for the original work (quoting the salacious portions of Monica Lewinsky’s memoirs).

Be aware that courts rarely uphold a claim of “fair use” in a for-profit, commercial context unless the use is directly tied to parody, news or critical commentary. In determining whether your copying constitutes “fair use” the courts will look at:

1) The purpose and character of your work-Are you making money from the copies?
2) Nature of copyrighted work-Is it a form book meant to be copied?
3) Amount of work taken-Are you taking 90% of the work or 2%?
4) Economic impact of taking-Are you taking the 2% that makes people want to buy the original (Lewinsky passages)?


In determining whether a use is a fair use, courts weigh all of these factors, along with additional factors indicating why or why not your use might be allowable under copyright law. If you are copying 1% of the non-critical portions of a form book for your own personal use, you are okay. If you are selling 98% complete copies of the The Davinci Code, you are in trouble. For anything in between, it is best to either consult your copyright attorney for advice or stick with copying works already in the public domain.

Now, For the Really Important Question
Am I going to get sued? Curiously, the answer to this question often has little to do with the legal analysis. No law or lawyer can tell you whether you are going to get sued. Whether you are going to get sued depends much more on the motivations, as well as the relative strengths of the parties. Is the entity from whom you are taking the copyright work an 800lb gorilla run by the guy with an itchy trigger finger you fired three years ago? If so, a detailed analysis of the esoteric legalities of fair use under United States Copyright Law is kind of a moot point. You are going to get sued. And since you likely do not have the $30K+ to fight the case, you are likely going to lose or settle for far less than what might otherwise be considered “fair.”

Think Like a Business
While I am all for fighting the good fight and not paying the bad guy money to use against the next innocent victim, a Pyrrhic victory, or more likely complete immolation at trial, does not help anyone. You may think you are becoming a martyr for the cause, but getting wiped out in
court may actually do more harm to future victims than paying money.
Large corporations often use a track record of putting infringers out of business to extract settlements. The smartest move for you is to review your copyright material beforehand to check for any potential copyright problems. If you own a business, be sure to include "fair use" policies in your employee handbook. With copyright issues, an ounce of prevention can be worth about seven figures of cure.

For more on fair use, as well solutions to the most common internet law problems, be sure to check out CyberLaw: A Legal Arsenal For Online Business.


Brett Trout

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Thursday, September 20, 2007

More on Plagiarism in Legal Briefs



I have received a lot of good feedback on my article about the lawyer being cited for unethical plagiarism for failing to properly attribute his legal briefs. One particularly notable comment was from a lawyer that may also have a claim to the toughest lawyer title, Chicago lawyer/boxer Steve Imparl. Steve writes:

"Copying seventeen pages of an article verbatim into a brief without attribution is wrong. Referring to the idea of free speech within a brief, attribution or not, cannot be wrong. Where we draw the line between these two extremes involves considerations or great import. Not the least of these considerations is unfettering ideas for all lawyers to find justice for their clients. Until that line is defined, however, wise lawyers would be well advised to avoid any ambiguity in one's briefs - to avoid being hoisted thereon."

You make a lot of interesting points in this blog entry. This last paragraph provides an especially important reminder of the underlying issues at stake.

Reading about our hapless colleague, I was struck by an irony in this case. In orders and opinions, judges routinely copy text from the briefs filed in a case, very often with no indication of quotation or attribution. Is that also plagiarism and unethical conduct?


Steve observations are good ones. Where do you stop along this rather slippery slope. "Is that also plagiarism and unethical conduct?" I guess the answer would be do you mean logically, or legally? Logically, under the rule of this case, a court copying excerpt of briefs without attribution would have to be unethical plagiarism. Even more so than a brief.

Legally? I think you would be hard-pressed to find a court willing to issue such a ruling.

The key here is that plagiarism, by definition, requires that you assert someone else's ideas as your own. Does a brief do that? I never thought it did. A brief is merely a reiteration of the law and the facts. Opinion is to be avoided at all costs. It always seemed to me that briefs were just the opposite of plagiarism. Briefs involve crafting your ideas in the courts' words.

Now an court opinion is quite a different animal. A court opinion is just that, and opinion. It is the court asserting its ideas about the case. It would seem to me that court opinions claim others ideas as the author's own, or at least leave that impression. Briefs do anything but.

Personally, I think neither type of filing should be subject to plagiarism claims. If they do not constitute copyright infringement, there should not be an issue. Plagiarism is an academic question, not a legal one. Academic questions should be left to academics, and not lawyers, to draw the lines.

At the very least, if courts wish to crack down on the failure to exhaustively attribute every legal concept, they should start at the bench and work down. Otherwise they truly do risk being hoist by their own petard. But this is merely one man's opinion.

Brett Trout

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Tuesday, September 18, 2007

What exactly is a “work for hire”?


It is not what you think.
Next to "fair use," "work for hire" is probably the most misunderstood concept in copyright law. Under 17 U.S.C. 101, a "work made for hire" is:
a) A work prepared by an employee within the scope employment; or
b) A work (if the parties expressly agree in a written instrument signed by them that the work should be considered a work made for hire) specially ordered or commissioned for use as:
a contribution to a collective work,
a part of a motion picture or other audiovisual work,
a translation,
a supplementary work (forewords, afterwards, editorial notes etc.),
a compilation,
an instructional text for use in systematic instructional activities,
a test,
an answer material for a test, or
an atlas.

You can't put a square peg into a round hole.

As you can see, there are very few things that can even become works made for hire. The most important aspect of the statute is that no matter how much both parties want it, and no matter how perfectly you draft your contract, you simply cannot make something a work for hire unless it falls within one of these categories. Many lawyers, and even many copyright lawyers still do not understand this concept.

Is your website a work for hire?
Not unless your employees developed it. If you look closely at the statute, you will note that "website design" is conspicuously absent from the list of items eligible for the "work made for hire" classification. Therefore, while a company owns software development and website design produced by its employees, it does not own such materials produced by an independent contractor. Even if you and your website developer agree that your website design is a work for hire, it is not.

So what did I pay all that money for?

A license. You paid for a license, the scope of which is defined by the actions and intentions of the parties as evidenced by the surrounding evidence. The good news is that the implied license granted you by the website developer will probably allow you to do everything you want to do on your website. The bad news is that a court might find that the implied license does not extend to other media such as books, presentations, marketing materials, etc. The worst news is that the website developer still owns the copyright and can probably license the exact same material to a competitor for a fraction of what you paid. This often occurs in custom home design.

So what can I do?
The most important thing is to contact a copyright attorney before you enter into a contract with a developer. A copyright attorney will help you obtain a copyright assignment, which will eliminate most of the problems noted above. The key is to negotiate the assignment up front. Since an assignment is what most website developers contemplate anyway, if you negotiate up front, you can often obtain an assignment for no extra cost. If you wait until after the project is completed and the developer paid, the developer has no incentive to negotiate. At this point, if you want an assignment of copyright, you have to pay whatever the developer wants.

Take home.
Remember, it is very important you not to rely on "work for hire" language in a contract to transfer ownership of any copyrighted material your company outsources to an independent contractor. You must obtain a written assignment of the copyright in the commissioned work from the independent contractor. Finally, negotiating such an assignment beforehand is much much cheaper than trying to stuff the genie back in the bottle.

Brett Trout

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Monday, September 17, 2007

Iowa Lawyer Sanctioned for Plagiarism


Remember that one kid in school who would always copy this research paper word-for-word from the Encyclopedia Britannica (for those of you youngsters out there, Encyclopedia Britannica is like a smaller, hard copy version of Wikipedia)? The kid inevitably ended up getting caught, simply because his paper was "too good." Well in appears now that an Iowa lawyer has gotten his own hand caught in the plagiarism cookie jar.

According to U.S. Bankruptcy Judge Paul J. Kilburg, West Des Moines Peter Cannon "violated the Iowa Rules of Professional Conduct by plagiarizing material for briefs and by unreasonably billing his client for preparation of those briefs." According to the court:

Seventeen of the nineteen total pages in the pre-hearing brief are verbatim excerpts from the Article. Mr. Cannon added some introductory material, a one-page section titled "Argument," and a conclusion. In between the introduction and argument, most of the first twenty pages of the Article are reproduced verbatim. The twenty pages Mr. Cannon reproduced appear as they did in the Article, with slight variations in formatting of the type that result when material is copied from one electronic document into another.


Judge Kilburg went on to find:

It is a violation of the Iowa Rules of Professional Conduct for an attorney to "engage in conduct involving dishonesty, fraud, deceit, or misrepresentation." Iowa Rules of Prof'l Conduct R. 32:8.4. Plagiarism, which is "[t]he deliberate and knowing presentation of another person's original ideas or creative expressions as one's own," Black's Law Dictionary (8th ed. 2004), is a form of misrepresentation. Iowa Supreme Court Bd. of Prof'l Ethics & Conduct v. Lane, 642 N.W.2d 296, 300 (2002); accord In re Lamberis, 443 N.E.2d 549 (Ill. 1982) (finding plagiarism constitutes deceit under Illinois Code of Professional Responsibility); cf. United States v. Jackson, 64 F.3d 1213, 1219 n.2 (8th Cir. 1995) (disapproving of a brief that "directly track[ed]" a circuit court opinion which the attorney did not cite). Because attorney plagiarism violates the Iowa Rules of Professional Conduct, Lane, 642 N.W.2d at 299, an attorney who plagiarizes engages in misconduct under the local federal rules. S.D. Iowa LR83.2(g)(1).

Mr. Cannon's actions not only constituted plagiarism, but likely constituted copyright infringement as well. Copyright is illegal, plagiarism, generally, is not. As noted above, plagiarism is presenting someone else’s work as your own. Copyright is the author’s right to reproduce an original work of authorship. Historically, plagiarism has been enforced by schools and academics, while copyright was enforced by courts. While copying seventeen pages of verbatim excerpts of an article and publishing the copy as your own, would be both plagiarism and copyright infringement, the two do not always overlap.

For instance, if you copied the Bible and presented it as your own, that would be plagiarism, since it involves claiming credit for something you did not do. This might get you kicked out of school, but would not constitute illegal copyright infringement. There was never any copyright in the Bible. Conversely, incorporating large, properly cited, excerpts from The Da Vinci Code in your own novel, would likely not constitute plagiarism, but would be copyright infringement. You are not claiming the work as your own, but the act could still constitute copyright infringement, since you are reproducing the copyrighted work without permission.

Plagiarism and copyright infringement both, however, require proof of access. The similarity between the original and accused books often circumstantially proves the second author had access to the work of the first. If you could though, prove that you had been trapped in a cave for the last ten years, with no access to the outside world, and that you coincidentally came up with Gone With the Wind, word for word, you could, ostensibly get your own copyright on the book and sell copies. This would not constitute either plagiarism or copyright infringement.

The problem with applying strict plagiarism rules to lawyers gives rise to the same problems that appear when applying strict plagiarism rules to the general public. Society is built upon the premise that everyone builds upon other people's ideas. Our founding fathers chose wisely not to impinge upon that right. While the framers of the constitution granted to authors the right to protect the "expression" of their ideas, the framers wisely determined that ideas themselves are not, and should never be, the proprietary right of any person or entity. If you are an academic and are paid to publish original ideas, it is perfectly fine for your employer to require that you prove that the original ideas you are paid to publish are indeed your own. Your employer is free to fire you if you are misleading as to the originality of your work. Of course, at least in Iowa, your employer is also allowed to enforce a "no blue shoes" policy and fire you if you fail to comply with that policy as well.

When it comes to the law, however, the academic justifications fall by the wayside, just as our founding father's intended. Law is based upon ideas and principles, things owned by no one. As far back as 1880, the United States Supreme Court, in Baker v, Selden, expressed the idea/expression dichotomy:

The copyright of a work on mathematical science cannot give to the author an exclusive right to the methods of operation which he propounds, or to the diagrams which he employs to explain them, so as to prevent an engineer from using them whenever occasion requires. The very object of publishing a book on science or the useful arts is to communicate to the world the useful knowledge which it contains. But this object would be frustrated if the knowledge could not be used without incurring the guilt of piracy of the book. And where the art it teaches cannot be used without employing the methods and diagrams used to illustrate the book, or such as are similar to them, such methods and diagrams are to be considered as necessary incidents to the art, and given therewith to the public; not given for the purpose of publication in other works explanatory of the art, but for the purpose of practical application.

Of course, these observations are not intended to apply to ornamental designs, or pictorial illustrations addressed to the taste. Of these it may be said, that their form is their essence, and their object, the production of pleasure in their contemplation. This is their final end. They are as much the product of genius and the result of composition, as are the lines of the poet or the historian's periods. On the other hand, the teachings of science and the rules and methods of useful art have their final end in application and use; and this application and use are what the public derive from the publication of a book which teaches them. But as embodied and taught in a literary composition or book, their essence consists only in their statement. This alone is what is secured by the copyright. The use by another of the same methods of statement, whether in words or illustrations, in a book published for teaching the art, would undoubtedly be an infringement of the copyright.


Is not the practice of law a "useful art"? Just as mathematical and scientific "ideas" are not protected by copyright, neither are legal ideas. For the reasons noted above by the United States Supreme Court, legal ideas should not be unduly restrained by misapplications of the academic concept of plagiarism. What Mr. Cannon did was wrong, but not because he used another's ideas. It is wrong because he used their exact words, their artistic "expression" of those ideas. The court, however, went beyond this concept, stating:

Mr. Cannon does not admit to plagiarism in respect to the post-hearing brief because he copied citations, and not text, from the Article. It is his position that the copying of string citations is not plagiarism. However, at least one court has found that reproducing material consisting primarily of citations is in fact plagiarism. See Frith v. State, 325 N.E.2d 186, 188 (Ind. 1975) (attorney who reproduced more than ten pages of an American Law Report in his brief committed plagiarism). Citations, particularly string citations with parenthetical explanations, can contain original expressions and ideas in the same way that text can. See, e.g., Washington v. Glucksberg, 521 U.S. 702, 761 (1997) (Souter, J., concurring) (collecting case citations and commenting on what the "parentheticals here suggest"); Klinedinst v. Swift Invs., Inc., 260 F.3d 1251, 1256 (11th Cir. 2001) ("The cumulative effect of these citations is persuasive. . . ."). The particular citations appropriated by Mr. Cannon list dozens of cases, and provide a quote or synopsis for each case that explains its relevance to the authors' argument. By passing off these citations as his own, Mr. Cannon plagiarized Schrag and Haut's ideas and expressions just as surely as if he had copied an equivalent amount of text.

Failing to properly cite the source of a case parenthetical in your brief? Following this logic, would it be plagiarism to include a parenthetical included by a court in a holding without citing the case from which the parenthetical was taken? Would it be unethical to refer to the idea/expression dichotomy in a brief without giving credit to the original author of that idea? Would it be unethical to discuss free speech without properly attributing the original architects of that idea? These hypotheticals may seem absurd, but are they not merely logical extensions of the tenets underlying the case against Mr. Cannon?

Copying seventeen pages of an article verbatim into a brief without attribution is wrong. Referring to the idea of free speech within a brief, attribution or not, cannot be wrong. Where we draw the line between these two extremes involves considerations or great import. Not the least of these considerations is unfettering ideas for all lawyers to find justice for their clients. Until that line is defined, however, wise lawyers would be well advised to avoid any ambiguity in one's briefs - to avoid being hoisted thereon.

Hat Tip to George Davidson and The Volokh Conspiracy

Brett Trout

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Tuesday, September 04, 2007

Don't register your iPhone if you want to unlock it

You might not have considered it, but unlocking your iPhone is a steeplechase of information technology, intellectual property and contract law. Failure to consider these issues could lead to big problems. If you are not careful, you could find yourself looking at RIAA-sized settlement demands or even criminal charges. Let's take a look at the law:

In 1997, the Court of Appeals for the Federal Circuit ruled in Hewlett-Packard Co. v. Repeat-O-Type Stencil Mfg. Corp. Inc., 123 F.3d 1445 (Fed. Cir. 1997), that refilling a patented toner cartridge was not a violation of the seller's patent, even if the seller specifically warned against such refilling. The Federal Circuit held that with the original sale was an implied license to exploit any patent right of the seller to further any reasonable use of the product sought by the purchaser. So you are looking good on the patent end of things.

In 2004, the Court of Appeals for the Sixth Circuit ruled in Lexmark International, Inc. v. Static Control Components, Inc., 387 F.3d 522 (6th Cir. 2004), that cracking software on a toner cartridge to circumvent the seller's restriction on refilling the cartridge was not a violation of copyright or the Digital Millennium Copyright Act (DMCA). So you are probably okay on copyright.

According to Jennifer Granick, executive director of the Stanford Law School Center for Internet and Society, there is even a specific exemption in copyright law, that lasts until 2009, which allows you to circumvent technological measures controlling access to copyrighted works, like digital cell phone locks. Notwithstanding, Professor Granick feels hacking the iPhone to use a carrier other than AT&T may open you up to breach of contract claims for violation of the terms of service you signed with AT&T.

The good news is that penalties associated with breaching the AT&T agreement are not criminal and are far less than the potential damages associated with copyright, DMCA or patent infringement. The better news is that avoiding activation with AT&T would appear to put you in the clear with regard to any breach of contract claim by AT&T.

At least I only have 22 more months left on my AT&T contract . . . (sigh)

Brett Trout

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Thursday, August 16, 2007

Nobody Puts Baby in the Corner

According to a lawsuit filed by Lionsgate Entertainment, at least fifteen companies are selling T-shirts emblazoned with that famous phrase from the movie Dirty Dancing. The Hollywood Reporter, Esq. reports that Lionsgate is alleging trademark infringement under the Lanham Act, unfair competition under California's Business & Professions Code 17200, common law unfair competition and copyright infringement.

Not surprisingly, I was not able to find a federal trademark for "Nobody Puts Baby in the Corner" registered to anyone. While the absence of a federal trademark registration does not mean that Lionsgate cannot sue under the Lanham Act, it makes one wonder why Lionsgate never federally registered such a valuable trademark.

Perhaps we can find the answer in the United States Patent and Trademark Office (USPTO) Trademark Manual of Examining Procedure (TMEP):

1202.03(f)(i) Slogans or Words Used on the Goods

Slogans or phrases used on items such as t-shirts andsweatshirts, jewelry, and ceramic plates have been refused registration as ornamentation that purchasers will perceive as conveying a message rather than indicating source of the goods. See Damn I'm Good Inc. v. Sakowitz, Inc., 514 F. Supp. 1357, 212 USPQ 684 (S.D.N.Y. 1981) ("DAMN I'M GOOD," inscribed in large letters on bracelets and used on hang tags affixed to the goods, found to be without any source-indicating significance); In re Pro-Line Corp., 28 USPQ2d 1141 (TTAB 1993) (BLACKER THE COLLEGE SWEETER THE KNOWLEDGE primarily ornamental slogan that is not likely to be perceived as source indicator); In re Dimitri's Inc., 9 USPQ2d 1666 (TTAB 1988) ("SUMO," as used in connection with stylized representations of sumo wrestlers on applicant's T-shirts andbaseball-style caps); In re Astro-Gods Inc., 223 USPQ 621, 624 (TTAB 1984) ("[T]he designation 'ASTRO GODS' and design is not likely to be perceived as anything other than part of the thematic whole of the ornamentation of applicant's shirts."); In re Original Red Plate Co., 223 USPQ 836 (TTAB 1984) ("YOU ARE SPECIAL TODAY" for ceramic plates found to be without any source-indicating significance).


Unfortunately for Lionsgate, copyright does not protect names, titles, slogans, or short phrases either.

Notwithstanding the foregoing, Lionsgate might have a shot if they can show consumers associate T-shirts bearing the phrase "Nobody puts baby in the corner" as indicating merchandise supplied by Lionsgate, or if Lionsgate can show the phrase is a sufficiently famous trademark that use by third parties on goods like T-shirts dilutes their trademark. Methinks, however, that these claims seem tenuous, at best. I would love to see how this one plays out, but I see it ending with a settled whimper, rather than a judicial bang.

In this case, it appears Lionsgate may be relying more heavily on its prima donna persona to win this pas de deux than on any true legal tango. If Liongate's tiny dance partner can survive long enough to chassez, Lionsgate could be left looking like it has two left feet. (I apologize profusely for channelling Gene Shalit, but I have very little control over these things).

If Lionsgate takes this all the way to a jury, another line from that movie may just spring to mind. "You were right Johnny, you can't win no matter what you do!"

Brett Trout

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Monday, August 13, 2007

SCO Goes Down in Flames

According to Ryan Paul of ars technica, Federal district judge Dale Kimball ruled Friday that Novell owns the Unix copyrights and that SCO owes Novell for royalties SCO received from Microsoft and Sun. If this ruling stands, it will be the death knell for SCO.

Now where are we on Linux?

Brett Trout

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Wednesday, June 27, 2007

Blog Scraping and Online Plagiarism

Jonathan Bailey of Plagiarism Today has an interesting post on Blogger taking the offensive against spam. Jonathan had noticed most spam blogs ("splogs") originating with Blogger, but also noticed a precipitous drop in Blogger splogs over the past week. Splogs involve the issues of both plagiarism and copyright infringement.

Plagiarism is the act of presenting someone else's work as your own. Plagiarism also includes the failure to give attribution when you combine someone else's work with your own. Plagiarism is not illegal, just unethical. It will not get you thrown in jail, but it might get you fired or thrown out of school.

Copyright infringement is violating an owner's exclusive right to reproduce or distribute and original work of authorship. Plagiarism is stealing ideas, copyright infringement is stealing one particular aesthetic presentation of an idea. Although copyright does not protect ideas and plagiarism does not forbid properly attributed verbatim copying, there are thefts that involve both plagiarism and copying.

One particularly nefarious type of theft, involving both plagiarism and copyright infringement, is blog scrapping. Blog scrapping involves a splog comprised entirely of content from other blogs. The splog sends a piece of software "the scraper bot" to find text in other blogs containing particularly keywords tied to the splog's paid advertising. The scraper bot returns the text and places some or all of the text on the splog.

Since the scraper bot process is automatic, a company or even an individual can have many splogs with very little management or effort. Because such splogs republish verbatim content without attribution, they are not only committing unethical plagiarism, but are also committing illegal copyright infringement.

Splogs are earning money off of the backs of people creating the original content. Is your blog being scraped? Well Plagiarism Today has some interesting insight and tips regarding scraping that you can use to find out. One particularly useful tool is the uncommon uses feature of Feedburner. This feature lets you know who is using your blog content in hopes that you might help Feedburner put a stop to splogs.

Brett Trout

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Tuesday, June 26, 2007

Who Owns Your Website?

As a copyright lawyer I am often the one to tell new clients “Even though you paid for your website that does not mean you own it.” Because these clients paid money for their website, they think they own things like:

  • The design of their website;

  • The software code behind their website;

  • Their domain name;

  • The graphics on their website;

  • The other conte